Further questions include what role, if any, is played by the set of material thing s that many conceptual artists undeniably do present us with.
Rather than actually making wall-drawings himself, Sol LeWitt produced instructions, consisting of text and diagrams, outlining how his wall drawings could be made. This reveals an explicit preference for the "art" side of the ostensible dichotomy between art and craftwhere art, unlike craft, takes place within and engages historical discourse: Modern painters have extended the practice considerably to include, for example, collage.
By cognitive value, what is meant is simply the value an artwork may have in virtue of enhancing or increasing our understanding of some topic, notion or event. Temple University Press, pp. Products from a pottery are sometimes referred to as "art pottery.
Philosophy and Conceptual Art, Oxford: Is the vehicular medium constitutive of the artwork, and if so, how exactly does that square with the claim of de-materialisation.
Crucially, a vehicular medium is said to incorporate not only physical objects such as paintings and sculptures, say but also actions, events, and generally more complex entities. Two principal difficulties immediately arise in the context of any attempt to form a definition.
She turned the concept of originality around. Sculpture Sculpture is the branch of the visual arts that operates in three dimensions. Central to the philosophy of conceptual art is thus the provocative spirit of the project under investigation — conceptual art throws down the gauntlet by challenging us to reconsider every aspect of artistic experience, and it may well be up to philosophy to pick it up and address some of the questions conceptual art makes its business to raise.
Influence Many of the great influences of Conceptual Art are American modern artists whose views on the subject were closely followed. There are good reasons to believe that of all the questions conceptual art gives rise to, interpretation is the most problematic from an internal point of view.
Exploring this avenue may yet help us see what kind of non-trivial cognitive value conceptual art is capable of yielding. Generally speaking, there are two main strands of intentionalist positions available.
Conceptual Art marked a major turning point in late 20th-century art. Again, several theories present themselves as eligible candidates in relation to this problem. Ceramic art can be made by one person or by a group of people. This divisive character is, however, far from accidental. Even in cases where a work makes use of illustrative representation, conceptual art is still putting that representation to a distinctively semantic use, in the sense of there being an intention to represent something one cannot see with the naked eye.
The notions of knowledge and cognitive value, whilst at the very heart of the conceptual project, raise a manifold of important questions that require solid and cogent philosophical answers.
Sol LeWitt and Joseph Kosuth were among the first ones to insist that genuine art is not a unique or valuable physical object created by the physical skill of the artist — like a drawing, painting or sculpture — but instead a concept or an idea.
Yves Klein presents Immaterial Pictorial Sensitivity in various ceremonies on the banks of the Seine. Which view one decides to favour on this point may well end up being an issue about definition.
1. Conceptual Art – What Is It?
Introduction. Few artistic movements have attracted so much controversy and debate as conceptual art.
By its nature, conceptual art has a tendency to provoke intense and perhaps even extreme reactions in its audiences. conceptual art n. Art that is intended to convey an idea or concept to the perceiver and need not involve the creation or appreciation of a traditional art object such as a painting or sculpture.
conceptual artist n. conceptual art n (Art Movements) art in which the idea behind a particular work, and the means of producing it, are more important than.
Conceptual art is a movement that prizes ideas over the formal or visual components of art works.
An amalgam of various tendencies rather than a tightly cohesive movement, Conceptualism took myriad forms, such as performances, happenings, and ephemera.
“In conceptual art the idea or concept is the most important aspect of the work,” LeWitt wrote. “When an artist uses a conceptual form of art, it means that all of the planning and decisions are made beforehand and the execution is a perfunctory affair.” That planning is, essentially, a set of strategies.
Conceptual art, also called post-object art or art-as-idea, artwork whose medium is an idea (or a concept), usually manipulated by the tools of language and sometimes documented by photography. Its concerns are idea-based rather than formal.
Although Goldie and Schellekens edited an earlier collection of philosophical essays on Conceptual art (OUP, ), this is the first book-length consideration of Conceptual art in the history of philosophy.Conceptual art